Possibly the coolest inclusion on an Animation series I’ve ever participated in with cast mate Garan; check out what my awesome boss decided to do for Xmas “SHOW” everyone how the characters get their “voices”. ^^ Miles, with us in spirit, was greatly missed, and we had crazy fun (and always do). Sharing work you love is a blessing. Wishing everyone as happy a Xmas as I’m having!!!! Much love heart emoticon Thank you to the irreplaceable Peggy Lewis, always, from Seoul.
(out on youtube soon), and broadcast via EBS2 daily. PS-I had my #janekimdesigns bling on to complete the “red and shiny” look requested ^^ It’s my fave go to!
I had a rough morning, but the energy of a studio is contagious.Today was Day 1 as the host of my new show at the fantastic mega-congomerate that is CJ…and I have to tell you, compared to the green rooms of other renowned networks, I felt as if I was in a hotel. I look forward to the horror that comes with seeing myself on the screen – it seems to have to be that way, hah…it has to be that way for me to improve. That is how we learn. I had fun. That is the key. My job is awesome, and everyone was incredible and professional. Oh and I wanted to take the stylist home with me. 2.5 hours of hair and make-up – but totally worth it. I go in looking like a slob and emerge sparkly.
Newest toy at Miniloop media – among several mic models.Seriously, what a difference a mic can make – it brings out the colors in the voice and adds body.NOTE FOR ASPIRING VOICE ARTISTS! Check out his lil paperback – mine is in the mail. It comes very highly recommended by one of my favourite and most imaginative colleagues. From snippets I’ve read online, looks VERY useful. 5 days till my brown package arrives^^
I often jokethat any trends existing in national English newspaper audio are my doing:) Today, I got to broadcast in film – and bless them.they let me wear flats. The MUA was good, and I LOVED how she butchered the eyelashes and glued them on soothly to give me popping eyes. Wrapped in 3.5 hours:)
I also give up on owning a flattering business suit that flatters me. Thank Buddha for stylists and plan B’s. I just don’t have a business suit bod. We voice folks are spoiled in that we don’t face the lights, make-up and costume side of the job, but I rather enjoyed this!
A demo for a video I shot last weekend. These are always awesome learning experiences – though I know this clip will be changed, text will be added, color corrected, etc…for me, it’s just great to check out my habits. And as you can see, “I don’t like monkeys!”
Yesterday was a minute to minute madness extravaganza. My days don’t typically blend seamlessly into one another, but yesterday did. It began at 6 am with a meeting, and proceeded to a noon CF (corporate vice recording), which incidentally was located a 15 min walk away from an audition for a news anchor spot on a cable channel at 12:40 (and hey! I got the job^^, which gave me exactly enough time to head to Northern Seoul for a 3:00 animation, then a 6:00 recording for my own company’s kickass ipad application, then a script edit due at 9pm. And I DID IT WITH 5 MIN TO SPARE.
I’m actually quite stoked about the broadcasting job. I normally sit in a sound booth and read the news, so being on camera is a treat. I read the English news for 4 national newspapers in Korea – I wonder if anyone ever notices?
I have literally lost count of the number of times I’ve had “natural make up”done. Now, depending on what it’s for, this could be reasonably light or pancaked on like a mask. Make up is weird that way. Sometimes, you need a quarter inch of crap on your face to look fresh, apparently ~ and from a distance, it may look exactly that.
This shoot (above) was all about accidents, and yet it worked out SO well – I find that often happens when the people you’re casually working with are genuinely talented at what they do. Add a little passion, and voila!
The MUA from this shoot was a lady named Sophie; a Yonsei student who loved makeup and was learning about styling shoots. She had enough experience to understand that Base makeup was more than one color (several, in fact), lighting matters a lot, and she introduced me to ‘Fairy drops’ and ‘Kiss me’ mascara from Japan (running 20 bucks and 32, respectively). In Korea, every MUA loves Japanese mascara. It lengthens like nothing else.
Sophie experimented with golds and silvers and smokes and feathers and spent about an hour finding the right hair accessories but ultimately, she pulled off a great job, and I loved her work. She took 3 times as long as she should have but it was her second time on a shoot and she ended up nailing it.
I always admire MUAs. Part of the initiation into the professional work is the ability to work under immesne stress and do everything really fast.
Memorable quote from a fashionistical French MUA: “How dare you tell me that brows take anything less than 20 min for perfection?!? Ignorant shit.” Well, the general expectation is that 20 min and you’re done if the look is natural. I’ve seen people pull off 8min on commercial sets.
Yesterday, I shot a commercial for a great education company, and the lighting was a challenge. Lighting isn’t my job, but I know that it can make me look horrible so I always pay attention to it. The MUA had a large, ‘barely touched’ array of Japanese pigments set up (I love checking out their goods as they cost a fortune)…and she had a friendly disposition. However, when I took a look at the results, I looked washed out and pale. We had a go after I showed her a few snaps from my mobile album (as I shoot “naturally” quite often). I am painfully aware that my brows are uneven and need shaping, my face is very angular and needs color, my lips disappear because I am so pale, etc etc etc. Since I was playing a teacher, I wanted to look alive. I was also dehydrated that day, and while you can get away with just about anything when you’re 21, ‘I’ cannot.
Trial two left me with somewhat harsh, thickly outlined black eyes and better brows, but time was up.
A few of my words of wisdom to actors and directors choosing MUAs, or MUAs interested in getting into film:
-choose freelancers that can do hair. There is a good chance it’s needed and it’s always appreciated. I know many actors and models can do their own but some of us are terrible at it
-Talk to your model. There is a good chance that they know exactly how they need to be made up and can point you to their flaws fast
-Yes, you should be used to working under lots of time pressure and the lighting probably will suck so experience is terrific
-Google the face you’re making up the day before if possible
-Don’t show up to your shoot with make-up one unless it’s a light base such as BB cream (and they may remove it)
-Don’t wash your hair in the morning and leave it damp (they will fry it)
-MUAS: exotic, “difficult to purchase locally” Waterproof mascara and kohl may make
you feel more comfortable but it will ruin your models eyes (mine are still black this morning)
-PLEASE AVOID USING THE SAME MASCARA WANDS FOR ALL OF US. I have only met 2 MUAs who actually considered that bacteria spreads
-bring your own shoes to help out the stylist, especially if you’re in a country that has a different size system
-bring bras that are flesh toned and DARKER than your own flesh or they may show right through your blouse
-just buy new nylons. Mine always find ways to rip on the way there
-if you’re a freelance MUA and leaving after you apply make-up, leave your models a sample of their lip colour or they will talk it right off and be stuck/ Alternatively, savvy actors can buy a cheap palette for touch ups if there is a lowish budget shoot going on to prevent this
-DO bother to get bi-monthly manicures and if you’re shooting, keep the colours nude or just use clear base. I have had many occasions when it was just assumed I would have pretty fingers (I don’t, but I do take care of them), and the shoot had nothing to do with hands
It has been a weird week, but then again, every week is unpredictable for me. The haphazard nature of “booking” is something that those who have 9-5 schedules, paid parking and a neighbourhood haunt won’t relate to and would possibly go mental over: I never know where I will be on a given day with a few exceptions. Now, this can make for a cool day, or it can be a royal pain in the ass.
Today, I accidentally mistook an educational reading booking next week for today and found myself with 4 hours to spare in the middle of the funky art district (not so bad), and as always, had my Macbook in tow. I am currently waiting on a 10 minute regular gig for an e-learning job I do on a weekly basis.It turns out that halfway through that job, another popped up…so I’ve revisited this post as I wait another 2 hours in another coffee shop for job number 3.
“Ya just never know”
Last Friday, I woke up thinking I had one hour-long educational recording in a nearby studio and that I’d be heading home for an early weekend. 4 text messages and 35 dollars in cabs later, I had zig-zagged around the city to fit in 5 jobs – 3 of them being corporate recordings. Easy come, easy go, lady luck plays a role. I bring a make up kit for unexpected auditions that pop up.
My lovely manager, Kyoung-Hee(or KH) helps me handle matters, but sometimes clients will simply text me a time accompanied by a question mark.
My job allows me to see quite a bit of the city, and thankfully, Seoul has a lot to see, and I’ve archived my many “sights” into an album titled “Daily Seoul”.
Not to disrespect office-workers, but I honestly cannot imagine it. I’ve lived this haphazard lifestyle for long enough to get ancy if I’m in one neighbourhood for too long, though there are days that I crave a little predictability. That’s the industry: you can literally make thousands of dollars a week or absolutely nothing. I’ve had both.
A little irony from MY week: I visited my stylist, whom I adore (and if you live in Seoul, you’ll want to visit MY stylist at FUNNY HAIR STYLE in Hongdae as they are the best – especially if you have hair extensions, scalp issues or want some creativity). I stepped out in a vintage dress that I acquired in Canada at a second hand shop while living with 6 girls, struggling as a model and shooter-girl during university, and basically, broke. I was shot as a “trend setter to be voted on for the week” by a new street fashion mag. I wore the afore-mentioned dress, a Zara trench, canvas Tom’s, and a leopard print backpack. They’d shot everything from my newly manicured sea-shell hued nails for the documentary I had pending to my Franklin Planner and Cross pen before I even knew I was being photographed.
My hair looked nice (thanks Shin and Becky), as my chocolatey colour was just touched up and they’d given me a complimentary Keratin treatment (freaking awesome) and replaced my extensions – something I look forward to every month as my hair looks perfect for about a week without me touching it. PS-my hair IS actually long, it just isn’t awesomely thick and when I began getting more film gigs, I met a very cool hair extension CEO who offered me free “double-sided tape remy” extensions in exchange for promo material, and introduced me to the salon who sponsored me. Now, I simply consider hair extensions part of my necessary accessories. I use a brand that doesn’t kill my hair, and is designed for women like me who have thin hair. In some cases, the nature of the shoot will ruin the extensions INSTEAD of my hair (as was the case when I played Jenny Marx, who had 3 hours worth of pin curls). They cost me about 30min worth of work per week to maintain and they give me options. However, they are NOT for those who want to save time doing their hair. Expect to do more.
I will post the pic of the ensemble when the mag does, but left is the cosy dress – which I often wear to shoots.